![]() ![]() … ExpandĪgain, Pixar comes up with a rather fresh concept, fantasy creatures in a modern times world, with some strong emotional moments. ![]() I guess I'm in the minority on this one, but I very much enjoyed this. Mine were just about met with "Onward." Each set piece is engaging and memorable, the world feels lived in and different, even the progression of the narrative surprised me with how much it hearkened back to early Pixar. I don't mean to bag on "Toy Story 4" so much, but I think we all hold these movies to a certain standard. There's a genuinely beautiful and original message at the center of this story here that culminates into what's easily the best ending to a Pixar movie I've seen since "Coco." "Toy Story 4" tried this, but ultimately ended up doing the same "saying goodbye because it's the right thing to do" type of ending that "Toy Story 3" did. This may come off as an entry into the "hot take Olympics," but I honestly found the film more creative, entertaining and emotionally resonant than Pixar's last effort, "Toy Story 4." It, at the very least, justifies it's own existence better than that film did. ![]() This may come off as an entry into the "hot The talks of "B-tier Pixar" rearing its ugly head yet again are lost on me when it comes to "Onward," director Dan Scanlon's second feature-length effort (after the uninspired "Monster University"). The talks of "B-tier Pixar" rearing its ugly head yet again are lost on me when it comes to "Onward," director Dan Scanlon's second feature-length effort (after the uninspired "Monster University"). ![]()
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